Jailhouse Rock


Jailhouse Rock

Written by Guy Trosper

Directed by Richard Thorpe



Elvis Presley

Judy Tyler

Mickey Shaughnessy

Dean Jones

Vaughn Taylor


Theatrical: Warner Pictures (USA)

Video: Warner Home Entertainment


Aspect Ratio: 2.40:1 (CinemaScope)

Codec: VC-1

Disc Size: 18.84 GB

Feature Size: 17.80 GB

Bit Rate: 24.56 Mbps

Runtime: 96 minutes

Chapters: 26

Region: All


English Dolby True HD 5.1

English Dolby Digital 5.1

English Dolby Digital 2.0

English Dolby Digital 1.0

French Dolby Digital 1.0

Spanish Dolby Digital 1.0


English, French and Spanish


• Commentary by Steve Pond (author of Elvis in Hollywood)

• The Scene that Stole Jailhouse Rock (16 min.)

• Remastered soundtrack in Dolby True HD & Dolby Digital 5.1

• Theatrical Trailer

Blu-ray case: 1 disc

Release Date: September 18, 2007


Jailhouse Rock is the third Elvis movie, made when he was 22.  It came fast on the heels of Love Me Tender (1956) and Loving You (1957). Jailhouse Rock has a halfway serious plot and, though Elvis tends to sulk throughout most of the film, he does give a performance of sorts.  Right off, we notice two things: the movie is shot in black & white and in CinemaScope.  The black & white photography makes sense, considering the subject but, the title song number notwithstanding, there isn't much reason for this movie to be in a super widescreen format except that it was expected.


Jailhouse Rock is a unusual musical for its time in that the songs are worked into the plot naturally:  Elvis picks up a guitar in jail and sings a small ballad.  Later, he tries his luck at a recording studio, and further on he sings at a party where, as a successful recording artist, his character is expected to sing.  There are relatively few songs, but they are of a generally higher caliber than your average Elvis movie.   Jerry Leiber & Mike Stoller, who wrote Hound Dog for Big Mama Thornton, wrote a couple of the songs here, including the title song.  However, the song that gets the most play is Young and Beautiful, a lovely ballad by Abner Silver & Aaron Schröder.  The one big set piece where we get to see the pelvic gyrations for which Elvis became a household name, is for the title number, staged for a TV spot.  By the way, have you ever noticed a resemblance to Jimmy Cagney's peculiar style of dancing in Yankee Doodle Dandy?


The plot, whose general tone is surprisingly dark, is coherent, at least compared with a movie like Viva Las Vegas.  Each character behaves fairly consistently, though without much depth or development. The direction of the actors is even-handed, and the supporting cast does a creditable job.  All things considered – story, songs, acting, production -Jailhouse Rock is one of the better Elvis movies, ranking alongside King Creole, made the following year.  I realize the tone of these remarks sound like faint praise, but that's only in an effort to be objective.


The Score Card

The Movie : 7

Elvis plays Vince Everett, a decent fellow with a temper whose fists land him in prison for manslaughter.  How's that for starters!  There he is mentored by the protective, but cynical long-timer, Hunk Houghton (played by veteran heavy, Mickey Shaughnessy).  Hunk used to have a career in the country music business and recognizes in Vince some possibilities.  Keeping from Vince his true feelings about Vince's potential, he persuades him to sign a contract where Vince would get 50% of Vince’s future earnings.  (Shade of Colonel Parker!)  While we can see where this is likely to go, it takes most of the movie before Hunk appears at Elvis’ door to “collect.”  But even that thread doesn’t quite go where we expect.  Meanwhile, Elvis has met Peggy (played by newcomer and short-timer, Judy Tyler) who takes an interest in Vince, both personally and professionally.  But Vince’s new-found cynicism knows no appreciation, manners or respect, despite his rise to stardom.


Image : 9/9

The opening scene is somewhat thin and gray, but it is brief, and before we know it we're deep into crisp, long-tone contrast with good blacks that don't kill the shadows in dark or night scenes.  Sharpness is very good just about all the time and grain is never an issue.


Audio & Music : 7/8

Contrary to my observations about Warner's Blu-ray edition of Viva Las Vegas, it is the English 1.0 mono track that is to be preferred here.  The two remastered stereo tracks make Elvis sound even more detached than he does typically in his movies.  You have to admit: lip-syncing is not his strong suit, and here at times the disconnection is more noticeable than usual.  The fact that his character is so brooding and inexperienced makes Vince's early efforts at singing less than the Elvis we know until just before the end.  It's difficult line to tread.


Operations : 7

I continue to appreciate Warner Home Video's avoidance of pre-feature ads so that we can get directly we get right to the business at hand.  The menu is straightforward, easy to understand, without gimmicks, as always.  Lots of chapter stops but, as is typical with Warner Blu-rays, the slightly expanding thumbnails are not titled.


Extras : 6

As with Warner's Blu-ray edition of Viva Las Vegas, Elvis biographer, Steve Pond, provides continual coverage of The King's career and personal life.  His comments about his co-stars and songwriters in this context were illuminating, though he had less to say about the production.


Recommendation: 9

Along with Warner's new Blu-ray edition of Viva Las Vegas, this black & white classic is indispensable for Elvis fans.  The fact that the image quality is very high helps a lot.

Leonard Norwitz


October 6, 2007


Score CardScore_Card.html
About MeAbout_Me.html